How Do We Keep Teaching, Learning, Making?

The content of this article is the opinion of the writer and was written for The Source

Photo: CLIO HERBERT-SILENCED

When schools began closing around the world, a result of the Covid-19 pandemic, students and teachers were all faced with the same question, “how do we keep teaching, learning, making!?”

As events unfolded around us, we became aware that jewelry was the perfect medium for communication during this unique moment in human history. We were being asked to clearly and boldly define personal boundaries, create social distance, develop new forms of greeting, and protect ourselves from one another. Jewelry has helped us do these things for millennia!

Tyler Johnson Hurwitz - work bench during the PANDEMIC

Viktoria Tjernberg Stay Safe

The Ethical Metalsmiths Education Committee seized the opportunity to invite professors and students to share ideas and solutions both finished and speculative. Our hope was to bring together our talented, curious, and thoughtful community through our shared interest, jewelry making, while exploring solutions to the variety of issues presented to us. The response was remarkable and diverse.


The result is a Collection of Work that acts as a time capsule for this transformative moment. We hope you will enjoy this exhibition but also gain insight and inspiration to take back into your studios and classrooms.

Thank you!

The Ethical Metalsmiths Education Committee

Lucy Louise Derickson, Susie Ganch, Kathleen Kennedy, Andy Lowrie, Elizabeth Shaw

The result is a collection of work that acts as a time capsule for this transformative moment.
 

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Andy Lowrie

Andy is an Australian artist who specializes in jewelry and metalsmithing and is currently a Teaching Fellow at the Baltimore Jewelry Center. Andy holds a BFA from the Queensland College of Art in Brisbane, AUS, and recently completed his MFA at Virginia Commonwealth University. Andy served on the committee of Ethical Metalsmiths Students’ VCU Chapter from 2018-2020. His internationally exhibited, ethically informed studio art challenges hierarchies of material value and embraces exploration of material and process. When he is not making or writing about jewelry, Andy is out soaking up the sun with his dog Mickey or visiting exhibitions at museums and galleries around the US

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